It's a great day to be alive.



(Source: danielmacs)




timelightbox:

Spectrum 2, 2009
Canadian photographer Jessica Eaton, who recently won the photography prize at the 2012 Hyères Festival, uses her camera to create color invisible to the naked eye. Learn more about how she does it—and why—here.

timelightbox:

Spectrum 2, 2009

Canadian photographer Jessica Eaton, who recently won the photography prize at the 2012 Hyères Festival, uses her camera to create color invisible to the naked eye. Learn more about how she does it—and why—here.







(via thewordsmeandyou)




(Source: beautyfortheseashesthefitproject, via s0whatwedontsleep)




urbanehood:

New York, je t’aime encore. (by Linh H. Nguyen)

urbanehood:

New York, je t’aime encore. (by Linh H. Nguyen)

(via noregrets83)







(Source: melissahoney, via noregrets83)




(Source: kisses-sweeter-than-wine, via noregrets83)




(via crazyconversegurl)




At least I have Mariana. And Mr. Lemonshine. 

At least I have Mariana. And Mr. Lemonshine. 




(Source: thatssoridiculous)




(Source: Flickr / jrobertblack, via andwe-renotlikelytodoeither)




(Source: sheandherdarkness, via si-and-co)




(Source: guttedcorpse, via coffeeandcigarettes127)







"I have this theory. My theory is about moments, moments of impact. My theory is that these moments of impact, these flashes of high intensity that completely turn our lives upside down, actually end up defining who we are. The thing is each one of us is the sum total of every moment that we’ve ever experienced with all the people we’ve ever known. And it’s these moments that become our history. Like our own personal greatest hits of memories that we play and replay in our minds over and over again."